Items

• Twisted Image #7
  Twisted Image was a zine edited by Ace Backwords (and later co-edited with Bruce N. Duncan and Mary Mayhem) between 1982 and 1994. The early issues of the zine (with a circulation between 5,000 and 10,000) explore different aspects of the punk rock youth culture that was increasingly making its way across the San Francisco Bay Area. They feature record reviews, interviews, visual arts, comics, and sarcastic critiques of the political discourses of the time. In 1987, Ace changed the format of the zine from a tabloid to a monthly xeroxed newsletter mostly focused on comics that he continued publishing until 1994 (with a circulation of 500 copies).
• Twisted Image #9
  Twisted Image was a zine edited by Ace Backwords (and later co-edited with Bruce N. Duncan and Mary Mayhem) between 1982 and 1994. The early issues of the zine (with a circulation between 5,000 and 10,000) explore different aspects of the punk rock youth culture that was increasingly making its way across the San Francisco Bay Area. They feature record reviews, interviews, visual arts, comics, and sarcastic critiques of the political discourses of the time. In 1987, Ace changed the format of the zine from a tabloid to a monthly xeroxed newsletter mostly focused on comics that he continued publishing until 1994 (with a circulation of 500 copies).
• Twisted Image #8: Businessman Special
  Twisted Image was a zine edited by Ace Backwords (and later co-edited with Bruce N. Duncan and Mary Mayhem) between 1982 and 1994. The early issues of the zine (with a circulation between 5,000 and 10,000) explore different aspects of the punk rock youth culture that was increasingly making its way across the San Francisco Bay Area. They feature record reviews, interviews, visual arts, comics, and sarcastic critiques of the political discourses of the time. In 1987, Ace changed the format of the zine from a tabloid to a monthly xeroxed newsletter mostly focused on comics that he continued publishing until 1994 (with a circulation of 500 copies).
• Twisted Image #6: Special Comix Art Issue
  Twisted Image was a zine edited by Ace Backwords (and later co-edited with Bruce N. Duncan and Mary Mayhem) between 1982 and 1994. The early issues of the zine (with a circulation between 5,000 and 10,000) explore different aspects of the punk rock youth culture that was increasingly making its way across the San Francisco Bay Area. They feature record reviews, interviews, visual arts, comics, and sarcastic critiques of the political discourses of the time. In 1987, Ace changed the format of the zine from a tabloid to a monthly xeroxed newsletter mostly focused on comics that he continued publishing until 1994 (with a circulation of 500 copies).
• Twisted Image #5: Special Gore and Violence Issue
  Twisted Image was a zine edited by Ace Backwords (and later co-edited with Bruce N. Duncan and Mary Mayhem) between 1982 and 1994. The early issues of the zine (with a circulation between 5,000 and 10,000) explore different aspects of the punk rock youth culture that was increasingly making its way across the San Francisco Bay Area. They feature record reviews, interviews, visual arts, comics, and sarcastic critiques of the political discourses of the time. In 1987, Ace changed the format of the zine from a tabloid to a monthly xeroxed newsletter mostly focused on comics that he continued publishing until 1994 (with a circulation of 500 copies).
• Twisted Image #4: Special Punk Fan-Zine Issue
  Twisted Image was a zine edited by Ace Backwords (and later co-edited with Bruce N. Duncan and Mary Mayhem) between 1982 and 1994. The early issues of the zine (with a circulation between 5,000 and 10,000) explore different aspects of the punk rock youth culture that was increasingly making its way across the San Francisco Bay Area. They feature record reviews, interviews, visual arts, comics, and sarcastic critiques of the political discourses of the time. In 1987, Ace changed the format of the zine from a tabloid to a monthly xeroxed newsletter mostly focused on comics that he continued publishing until 1994 (with a circulation of 500 copies).
• Twisted Image #3
  Twisted Image was a zine edited by Ace Backwords (and later co-edited with Bruce N. Duncan and Mary Mayhem) between 1982 and 1994. The early issues of the zine (with a circulation between 5,000 and 10,000) explore different aspects of the punk rock youth culture that was increasingly making its way across the San Francisco Bay Area. They feature record reviews, interviews, visual arts, comics, and sarcastic critiques of the political discourses of the time. In 1987, Ace changed the format of the zine from a tabloid to a monthly xeroxed newsletter mostly focused on comics that he continued publishing until 1994 (with a circulation of 500 copies).
• Twisted Image #2
  Twisted Image was a zine edited by Ace Backwords (and later co-edited with Bruce N. Duncan and Mary Mayhem) between 1982 and 1994. The early issues of the zine (with a circulation between 5,000 and 10,000) explore different aspects of the punk rock youth culture that was increasingly making its way across the San Francisco Bay Area. They feature record reviews, interviews, visual arts, comics, and sarcastic critiques of the political discourses of the time. In 1987, Ace changed the format of the zine from a tabloid to a monthly xeroxed newsletter mostly focused on comics that he continued publishing until 1994 (with a circulation of 500 copies).
• Twisted Image #1
  Twisted Image was a zine edited by Ace Backwords (and later co-edited with Bruce N. Duncan and Mary Mayhem) between 1982 and 1994. The early issues of the zine (with a circulation between 5,000 and 10,000) explore different aspects of the punk rock youth culture that was increasingly making its way across the San Francisco Bay Area. They feature record reviews, interviews, visual arts, comics, and sarcastic critiques of the political discourses of the time. In 1987, Ace changed the format of the zine from a tabloid to a monthly xeroxed newsletter mostly focused on comics that he continued publishing until 1994 (with a circulation of 500 copies).
• Puddle #7
  Puddle was a personal zine mostly written, edited and designed by Chris Appelgren, from 1988 to 1994, covering topics such as music, the Humboldt County and San Francisco punk communities, featuring contributions from Lawrence Livermore, Abe Ringstaff, Theo Robinson, and Robert Eggplant, among others. Appelgren – also known as Chrisser and Chris Appelcore – worked for Lookout Records in several capacities starting in 1988, eventually graduating to owner and president in 1997, when Livermore and Patrick Hynes left the label. Appelgren has created original artwork for many East Bay bands (including Blatz, Green Day, Screeching Weasel, Mr. T Experience, and The Queers) and performed as a musician in The Potatomen, The Lefties, The Pattern, The PeeChees, and Bumblescrump.
• Puddle #5
  Puddle was a personal zine mostly written, edited and designed by Chris Appelgren, from 1988 to 1994, covering topics such as music, the Humboldt County and San Francisco punk communities, featuring contributions from Lawrence Livermore, Abe Ringstaff, Theo Robinson, and Robert Eggplant, among others. Appelgren – also known as Chrisser and Chris Appelcore – worked for Lookout Records in several capacities starting in 1988, eventually graduating to owner and president in 1997, when Livermore and Patrick Hynes left the label. Appelgren has created original artwork for many East Bay bands (including Blatz, Green Day, Screeching Weasel, Mr. T Experience, and The Queers) and performed as a musician in The Potatomen, The Lefties, The Pattern, The PeeChees, and Bumblescrump.
• Puddle #3
  Puddle was a personal zine mostly written, edited and designed by Chris Appelgren, from 1988 to 1994, covering topics such as music, the Humboldt County and San Francisco punk communities, featuring contributions from Lawrence Livermore, Abe Ringstaff, Theo Robinson, and Robert Eggplant, among others. Appelgren – also known as Chrisser and Chris Appelcore – worked for Lookout Records in several capacities starting in 1988, eventually graduating to owner and president in 1997, when Livermore and Patrick Hynes left the label. Appelgren has created original artwork for many East Bay bands (including Blatz, Green Day, Screeching Weasel, Mr. T Experience, and The Queers) and performed as a musician in The Potatomen, The Lefties, The Pattern, The PeeChees, and Bumblescrump.
• Puddle #1
  Puddle was a personal zine mostly written, edited and designed by Chris Appelgren, from 1988 to 1994, covering topics such as music, the Humboldt County and San Francisco punk communities, featuring contributions from Lawrence Livermore, Abe Ringstaff, Theo Robinson, and Robert Eggplant, among others. Appelgren – also known as Chrisser and Chris Appelcore – worked for Lookout Records in several capacities starting in 1988, eventually graduating to owner and president in 1997, when Livermore and Patrick Hynes left the label. Appelgren has created original artwork for many East Bay bands (including Blatz, Green Day, Screeching Weasel, Mr. T Experience, and The Queers) and performed as a musician in The Potatomen, The Lefties, The Pattern, The PeeChees, and Bumblescrump.
• Too Far #5
  Too Far was a feminist punk-zine edited by Adrienne Droogas from […] to […] . The zine focuses on gender issues and sexuality, while also offering interviews with artists and commentary on the punk scene. Droogas was the lead vocalist for the all-female political hardcore band Spitboy and a regular columnist for Maximumrocknroll.
• Too Far #4
  Too Far was a feminist punk-zine edited by Adrienne Droogas from […] to […] . The zine focuses on gender issues and sexuality, while also offering interviews with artists and commentary on the punk scene. Droogas was the lead vocalist for the all-female political hardcore band Spitboy and a regular columnist for Maximumrocknroll.
• Handful of Hell #0
  Handful of Hell was a single-issue anti-racist zine edited by Kendon Smith featuring mostly illustrated content. Smith was also the frontman and guitarist for the Lookout band Surrogate Brains.
• A Matter of Image #2
  A Matter of Image was a punk-zine created by Eric Yee and other East Bay punks in the mid-80s. This short-lived, yet eclectic, zine features interviews, reviews, punk art, and commentary about the scene.
• A Matter of Image #1
  A Matter of Image was a punk-zine created by Eric Yee and other East Bay punks in the mid-80s. This short-lived, yet eclectic, zine features interviews, reviews, punk art, and commentary about the scene.
• Asstray Punx "East Bay's Cream of the Crop"
• Phobia
• More Larry & Trip!
• East Bay Dumb Punkz
• East Bay Comix
• Larry #2
• Larry #1